No
Moor blues
Part II: Migrating to Marrakech
Part III: ‘Little picture’ spoilt
by the movies
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Photo:
© K. Diab |
March 2006
The contrast couldn’t have been more striking.
On 30 December, we were battling through a snowstorm in Gent which we’d brave to
buy some essential supplies before our departure. The next day, we were walking
along the sunny Agadir beach in 24°C sunshine. Given the subzero temperatures
we had just fled, we could be excused for stripping down to our T-shirts,
despite the nippy wind and the bemused glances of locals who were wrapped up
nice and warm.
Agadir’s main draw for us was the cheap flight
we’d found and the opportunity to spend a couple of vegetative days there,
enjoying sun, sea and sand. After all, there’s not much else to this Atlantic
coastal town.
We spent the dying moments of 2005 in Morocco.
We wanted to do something pleasant for new year’s eve but most of the decent
restaurants and hotels were using it as an opportunity to fleece their
clientele, charging astronomical – and frankly immoral amounts of money – for a
meal and entertainment.
We wound up going to Agadir’s best restaurant
serving Moroccan cuisine, where we were treated to a seven-course extravaganza
– which evoked mixed feelings of seventh heaven for the first few courses, and
the seven cardinal sins for the last few – while we watched people strolling by
along the beach promenade.
The build-up to 2006 was spent on the sands of
the dark and chilly beach watching a firework display with thousands of locals
under the milky waves of the moon. At the stroke of midnight, a cheer rose up
through the crowd, we exchanged a kiss, and dozens of boys inexplicably broke
into a sprint and headed down the beach towards the source of the fireworks!
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‘God, country and king’: an important trinity
in Morocco Photo: ©K. Diab |
Not much
to see here, move along
The old city of Agadir, which had interesting
examples of traditional Berber architecture, collapsed following a mega
earthquake in 1960. All that’s left of it is a massive mound created when the
authorities, unable to retrieve most of the dead, decided to bury the entire
town. Today, no one is allowed to build on this mass cemetery.
Although we’d read about this death mound in
our guidebook, we nearly missed it because it looks quite unremarkable. It was
only after our chatty, if sombre, taxi driver – who I thought was old enough to
remember the 1960 quake but turned out to be only three years older than myself
– pointed it out that we saw this haunting piece of terrain.
On the way up the hillside leading to the ruins
of the old Berber town, one gets a close-up view of the most dominant feature
of Agadir’s skyline at night: the Moroccan holy trinity of God, Country and
King. Made up of an arrangement of large white rocks which are floodlit after
dark, the three words reflect the accepted status quo in Morocco. At the top of
the triangle is God who is above all. At the base of the triangle is Morocco
itself and the King, which implies that they are of equal stature, although the
nation has a slight edge over the monarch. A throwaway comment about the
display and our friendly taxi driver would not be drawn on the topic of the
monarchy. In other countries, one would reasonably expect a litany of complaints
about the king, but not in Morocco, where Mohamed VI is above reproach,
although not as much as his deceased father, King Hassan II.
The driver did talk at some length about the
king’s achievements, including his granting of more political and social rights
to Berbers. Now his children received Berber language lessons at school. When I
inquired whether it was not a little un-PC to be using the term Berber and
should he not be speaking of Amzeghi. According to him, Amzeghi was only one of
three dialects, the other two being Berber and reif.
After seeing the ochre-coloured ruins of the
old city wall, the taxi driver dropped us of at the Sunday market. Once we’d
toured the souq’s narrow passageways filled with cone-shaped piles of bright
coloured spices, galabiyas, pottery, mosaic tables, and much more, we realised
that there wasn’t much else to see in Agadir and began to pine for Marrakech.
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Photo:
©K. Maes |
Moroccans are generally welcoming and friendly
people, especially so to Egyptians, I was to discover. Fed on a regular diet of
Egyptian films, music and soap operas, many Moroccans entertain a romantic and
amusing image of Egypt. The knowledge some of them had of what ‘reel life’
Egypt is like was truly mind-boggling. The poolside bar at our hotel in Agadir
had a constant stream of Egyptian satellite channels featuring scantily clad
Lebanese clones singing in the Egyptian pop dialect. It often made me feel
self-conscious that some of the people we encountered knew all the latest songs
and actors and I didn’t!
However, during our stay we encountered one
ugly incident of discrimination. One evening, the only place which served
alcohol we could find during our stroll was a so-called ‘English pub’. Normally
we prefer local joints, but there were none around.
The waiter told me that I had to go inside the
bar if I wanted to consume alcohol, but Katleen and all the other visibly
European people were permitted to drink outside. I found this a ridiculous
situation and insisted that he bring me a beer, but neither he nor his manager
would listen to my protests, and Katleen had to disentangle me from the
situation to avoid the scene getting uglier.
It was befitting that we then found another
café/bar called Le Jardin d’Eau where we were served beer street-side – which I
downed a little too rapidly to douse the flames of my fury – by a friendly
waiter who was an encyclopaedia of Egyptian films and music and loved to banter
in Egyptian slang.
Part
II: Migrating to
Marrakech
Part
III: ‘Little picture’ spoilt by the movies
ã2006 K. Diab. Unless otherwise stated, all the content on this website
is the copyright of Khaled Diab.