Saddam Hussein:

In desperate pursuit of a hero

Khaled Diab

The US-UK occupation of Iraq is succeeding in achieving the once implausible feat of turning a reviled dictator into something of a cult hero. This demonstrates the utter failure of the Anglo-Saxon military adventure there. It also reveals the desperate need in some Arab quarters to find a hero amongst the villains who pass for leaders in the region and to salvage some pride amidst all the humiliation and defeat.

 

January 2007

Part II – Champion or villain of the Arab cause?

Part III – The dead don’t talk

Part IV – Emulating history

 

Anti-heroics and wishful thinking

Saddam Hussein, the man who has embroiled Iraq in non-stop conflict since he officially took over the country’s leadership in 1979, has been executed in what amounted to a US-backed Iraqi show trial. I am against the death penalty and object to the questionable legality of the entire process, but I harbour no sympathies for the ex-dictator.

 

His corpse has barely grown cold in its grave and already the man is being airbrushed either to appear more monstrous or heroic than he was, depending on which ideological camp is holding the palette.

 

Some Arabs seem to be suffering from a desperate need to find a hero amongst the villains that pass for Middle Eastern leaders and virtue among the carnage in Iraq. In Morocco, Libya, Egypt, Palestine, Jordan, Yemen and other Arab countries, a surprisingly large amount of people expressed their grief at the execution. In the eyes of some, it would seem that defiance is its own reward, no matter how stupid, ill-informed and costly it is, and regardless of the selfish reasons for which it is carried out. During a recent visit to Egypt, I was surprised when a relative expressed admiration for the ultra-conservative and anti-reformist Iranian President Mahmoud Ahmadinejad, simply because he dared to defy the will of America in a highly visible and populist fashion.

 

Some respected top Arab journalists who ought to know better are already eulogising Saddam Hussein as if he were some sort of hero from the 1,001 Arabian nights. “Saddam Hussein approached the gallows like a mountain, his head held high,” Al-Quds al-Arabi’s editor-in-chief Abdel-Bari Atwan wrote in a front-page editorial on 2 January 2007.

 

In fact, Atwan places Hussein in the same league as Omar al-Mukhtar who led, for two decades, the Libyan rebellion against Italian rule and was hanged for his resistance, and praises the ex-Iraqi president’s “faith in Arab unity [and] his confrontation of the Arab world’s enemies”.

 

“He embarrassed and dwarfed them [the US-backed Iraqi government] as he stood like a spear in the court… His nationalism and pan-Arabism shamed them in their efforts to plant the seeds of abhorrent factionalism,” Atwan continued.

 

Part II – Champion or villain of the Arab cause?

Part III – The dead don’t talk

Part IV – Emulating history

 

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Further reading

How I learned to start worrying and hate the bomb

November 2006 – With North Korea’s recent nuclear test and Iran’s suspected nuclear designs, Khaled Diab explains why he learned to start worrying and hate the bomb and suggests how the proliferation of nuclear weapons can best be arrested – and reversed. Read on

 

Extraordinary renditions –

The playwright and the president

January 2006 – Jeff Sommers, Khaled Diab and Charles Woolfson explore the dynamics between playwright and president as American foreign policy stands in the dock. Read on

 

Extended analysis

Dressed to kill –

Under the cloak of Bush’s foreign policy

December 2005 – Jeff Sommers, Khaled Diab and Charles Woolfson expose what lies beneath the cloak of US President George W Bush’s foreign policy. Read on

 

The price of war

October 2002 – Whether or not Iraq, after more than a decade of ‘containment’ and sanctions, poses a threat to the United States and its allies, any military action would most likely have serious economic and political ramifications for Europe. Read on

 

 

 

ã2007 K. Diab. Unless otherwise stated, all the content on this website is the copyright of Khaled Diab.